Ashley Zelinskie is Brooklyn-based conceptual artist utilizing a post-New Media approach, wherein the media employed are merely vehicles in service of underlying concepts, she is attempting the process of translating our vast history into an eternal and universal language, while focusing a lens on our place as a small part of a larger whole. Her works span a variety of media, from large- and small-scale sculpture to canvas and print works, each created using cutting edge technology such as 3D printing, computer-guided laser cutting, and satellite plating technology. Her work focuses on visualizing data in abstract forms and finding new and interesting ways to describe complex ideas.
Zelinskie’s work has been featured by The New York Times, Vice, Popular Science, and Hyperallergic. Her work forms part of the permanent collection of the US Department of State Art in Embassies Program, has been exhibited at Sotheby’s New York and most recently the ArtScience Museum in Singapore. Zelinskie is a former resident of New Inc.—the New Museum’s Art and Technology Incubator—and the Shapeways x Museum of Art and design “Out of Hand” exhibition residency. She is currently working in collaboration with NASA, the European Space Agency, and the Smithsonian and is a graduate of the Rhode Island School of Design.