In 2020 the Gazell.io Project Space was launched to provide digital artists with a platform to showcase their works physically at a commercial gallery. Programming of the space will change on a monthly basis to offer fresh perspectives.
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Current Exhibition in the Project Space
.ext | Brendan Dawes, Claudia Hart & Tupac MartirGazell.io presents ‘.ext’ an NFT (non-fungible token) show featuring both physical and digital works of three new media artists; Brendan Dawes, Claudia Hart and Tupac Martir. The exhibition celebrates the gallery’s commitment to digital art, which has developed over the past six years through the digital arm of the gallery, Gazell.io. ‘.ext’ will be installed in the recently unveiled Gazell.io Project Space located on Dover Street. The exhibition coincides with the gallery's “NFTuesdays”, a series of NFT drops by artists with strong ties to the gallery and Gazell.io. The NFT counterparts of the show will be dropped on the day of the opening on Known Origin with Brendan Dawes and Opensea with Tupac Martir. Claudia Hart's drop will be revealed in June. All NFTs dropped by Gazell.io are certified by Versisart.
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Past Gazell.io Project Space Exhibitions
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Claudia Hart
3 December 2020 - 13 March 2021 Digital artist Claudia Hart shows her artwork The Ruins for its London premiere. The physical exhibition will be installed until 15th March, alongside an extended viewing of a digitised version which is sited in a two-story scale model of Gazelli Art House, London; a parallel universe created by Hart in Mozilla Hubs. -
Shi Zheng | Free Fall
12th April - 12th May 2021Gazell.io presents Shi Zheng’s Free Fall in the Gazell.io Project Space, an initiative launched in 2020 to provide digital artists with a platform to showcase their works physically at a commercial gallery. Shi Zheng’s video installation will be presented on large-scale towering screens in the space throughout April. Free Fall is a dual-channel video installation co-produced by media art group RMBit for the solo exhibition ‘Bitclave’ at Imagokinetics, Hangzhou. Two vertically connected display panels have constituted a narrow perspective of the work in which pure white sheet masks simulated by computer keeps falling downward. Another layer in the work consists of a computer vision recognition system that surveils and detects the moving image. The facial recognition system identifies whether the image of each falling sheet mask matches the features of the human face. The floating values between 0 and 1 in the blue bounding box represent the approximation value of “human” identified by the machine compared to “real human."
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