Supraphrodite (i), 2024
Glass sculpture
34 × 34 × 27 cm
Created for the solo-exhibition Quantum Soup at HEK in Basel (2024), this glass snail- like sculpture explores the contrasting yet comparable properties of glass and quantum particles.
The transparent glass cells, fused together into shapes reminiscent of solidified bubbles, produce refractions and reflections of light offering ever-changing perspectives. The title blends Aphrodite, symbolising beauty and love, with “Supra,” meaning “beyond,” alluding to the themes of quantum entanglement and boundary- crossing.
ABOUT Libby Heaney
Dr Libby Heaney is an award winning artist with a professional background in Quantum Science. She is the first artist to work with quantum computing as a functioning artistic medium. Heaney’s practice explores quantum concepts and temporalities, combining diverse media such as moving image, glass and watercolour with cutting-edge technologies. In doing so she seeks to entangle interior landscapes with the impact of the exterior realm, asking big philosophical questions while remaining intimate, human and embodied. Recent solo exhibitions include Quantum Soup, HEK, Basel (2024); Heartbreak and Magic, Somerset House, London (2024) and Ent-, LAS Art Foundation, Berlin (2022). Her first artistic monograph was recently published by Hatje Cantz. Heaney’s project Ent- won the Lumen Prize and the Falling Walls Art-Science Prize (both 2022) and she was awarded the 2022 Mozilla Foundation Creative Media Award. Heaney has been the recipient of numerous Arts Council England grants, completed a residency at Somerset House Studios, London, and is in major private collections including Zabludowicz Collection and 0xCollection. Heaney holds a PhD in Quantum Information Science and worked as a post-doctoral researcher in quantum science at the University of Oxford and the National University of Singapore. She also holds a MA in Art and Science from Central St. Martins, London.