Participation is vital in touch is response-ability as participants’ touch controls the artwork frames in this interactive touch-screen animation. The work exposes Libby Heaney's extensive research into representations of the body in computer vision and artificial intelligence and parallels in art history, highlighting which bodies are seen and which are neglected in both. 

Heaney uses her self-written quantum computing code to abstract the literal representation of the bodies, enabling us to see them from alternative, multiple perspectives – boundary-less and form-less. The stills are watched with a computer vision algorithm – Open-Pose – which loses track of the body as it becomes increasingly plural and quantum.

The title refers to concepts from Karen Barad's essay On Touching: the Inhuman That Therefore I Am.